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POWERED BY ADVANCED BOSS TECHNOLOGY, THE ULTRA-VERSATILE MD-500 DELIVERS NEARLY ANY TYPE OF MODULATION EFFECT A MUSICIAN COULD WANT, AND THEN SOME. INCLUDED ARE 28 DIFFERENT ALGORITHMS WITH INTENSIVE PROGRAMMING PARAMETERS, OFFERING A NEARLY LIMITLESS SOUND PALETTE TO CREATE WITH. AND WITH CLASS-DEFYING 32-BIT AD/DA, 32-BIT FLOATING POINT PROCESSING, AND 96 KHZ SAMPLING RATE THROUGHOUT, YOU’LL ENJOY PRISTINE SOUND QUALITY THAT EXTENDS BEYOND THE CAPABILITIES OF THE VERY BEST STUDIO HARDWARE.

EFFECTS IN THE MD-500 INCLUDE MANY NEW PRIME TYPES DEVELOPED WITH CUTTING-EDGE BOSS TECH, PLUS AUTHENTIC SONIC RECREATIONS OF VINTAGE CLASSICS LIKE THE CE-1 CHORUS ENSEMBLE, ROLAND DIMENSION D, ‘70S SCRIPT PHASER, ‘80S TRI-CHORUS, AND NUMEROUS OTHERS. WITH THE ABILITY TO USE TWO PATCHES AT ONCE WITH A/B SIMUL MODE, THE MD-500 CAN LIKELY COVER ALL YOUR MOD NEEDS WITH ONE CONVENIENT PEDAL. AND BY INSERTING DRIVE PEDALS IN THE MD-500’S FLEXIBLE EXTERNAL LOOP, IT’S EASY TO PLACE MOD EFFECTS BEFORE, AFTER, OR AROUND THE LOOP AS NEEDED FOR THE VERY BEST SOUND.

Features

• STUDIO-LEVEL SOUND WITH FIRST-IN-CLASS 32-BIT AD/DA, 32-BIT FLOATING POINT PROCESSING, AND 96 KHZ SAMPLING RATE
• 12 MODES AND 28 MODULATION TYPES, ALL WITH DEEP EDITING PARAMETERS
• CLASSIC MOD EFFECTS AND BOSS ORIGINALS, NEWLY ENHANCED WITH CUTTING-EDGE TECHNOLOGY
• A/B SIMUL MODE FOR USING TWO PATCHES AT ONCE, WITH YOUR CHOICE OF SERIES/PARALLEL CONNECTION AND MIXED OR SPLIT A/B OUTPUT
• INSERT LOOP FUNCTION ALLOWS YOU TO USE MOD EFFECTS BEFORE, AFTER, OR AROUND DRIVE PEDALS

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